EXHIBITION PROPOSAL: Summer 2026
Exhibition Title: American Fuse
Proposed Dates: Summer 2026 (Focusing on the July 4th Bicentennial Window)
Artist: Scott Teplin
I. EXECUTIVE SUMMARY
In recognition of the 250th anniversary of the United States, this exhibition presents a cohesive body of meticulously crafted sculptural faux FIREWORK constructions with hand painted labels on each piece by Scott Teplin. The “fireworks” are to be presented in a small stand made to resemble a seasonal roadside stand one might drive past in late June/early July somewhere in rural America.The collection offers a unique visual perspective on the meaning of a national celebration in light of our current political climate.
II. STRATEGIC TIMELINESS: AMERICA 250
This exhibition is specifically curated to serve as a flagship component of the museum’s 2026 programming. The work provides an evocative centerpiece for July 4th festivities, offering both a fun and meditative space that may complement the region’s own celebrations while drawing interest from local media and anniversary-related publications.
III. THE WORK
The centerpiece of the exhibition is the "fake fireworks" series: a group of 50-75 highly detailed (and often humorous) works including:
Sculptural Constructions: Meticulously fabricated objects that interpret internationally-made consumer fireworks used by Americans to celebrate the 4th of July. Each sculpture (sizes range from ½” x 2” x 3” to 8” x 8” x 12”) sits on a shelf of a mock-roadside fireworks stand as if for sale.
Large-Scale Drawings: Additional large watercolor drawings (sizes range from 22” x 30”, 50” x 50”, 70” x 50”act as “posters” - meant to mimic advertising a roadside stand might incorporate, wall space permitting
Artist Books: A 16 page editioned “Bang On!”(200 copies from Kayrock in Brooklyn, in production expected to finish in late January 2026) 9” x 12” silkscreen book of labels as well as a smaller 5.5” x 9” catalog (click for PDF view) of most of the fireworks on display in the exhibition to hand out to visitors. Finally, a one-of-a-kind artist book made from explosions and smoke.
IV. INSTITUTIONAL & AUDIENCE BENEFIT
Proven Pedigree: Scott Teplin’s work, created over the last 30+ years, is held in the permanent collections of the Museum of Modern Art (MoMA), the Smithsonian Institution, and the New Museum and many others.
Broad Appeal: The spectacle of the Fourth of July ensures high inter-generational attendance during the peak summer tourism window.
Turn-Key Excellence: The exhibition will be professionally crated, fully documented, and ready for transit. It requires minimal specialized installation, allowing the museum to focus its resources on anniversary events.
V. LOGISTICS & AVAILABILITY
Inventory: 50–100 total works, comprising framed drawings and self-standing sculptural objects.
Installation & Space Requirements:
Footprint: Flexible configuration. Requires a minimum footprint of 60” x 70” (approx. 30 sq. ft.), though a space of 165” x 150” (approx. 172 sq. ft.) is ideal.
Ceiling Height: 14’ ceilings are recommended to accommodate the verticality of the installation.
Display Structure: The central component is a "roadside fireworks stand" designed to house the sculptural works. This structure is aesthetically utilitarian (plywood construction), measures 70” x 30” x 85”, and features integrated lighting. Magnetic mounts will be used for installing works on paper on the surrounding wall. Larger sculptures may be displayed on individual pedestals.
Framing: Variable/optional based on budgetary constraints.
Logistics & Shipping:
Cost Efficiency: The exhibition is designed to minimize transit costs. The majority of sculptural works are compact and constructed from heavy and durable paperboard, allowing for inexpensive boxed shipping.
On-Site Fabrication: The "roadside stand" display is designed to be built on-site by gallery personnel using locally sourced standard lumber (plans will be provided), eliminating the need to crate and ship large items.
Delivery: Personal delivery and installation assistance is available for most East Coast institutions to further reduce costs.
Support: A comprehensive digital press kit, high-resolution images, and a detailed checklist are available upon request.
Artist Honorarium: $5,000 – $10,000 (Sliding scale based on institution size/budget; negotiable).
VI. SUMMARY
Small exhibition with variable dimensions, consisting of a wooden fireworks stand against a wall with small handmade faux fireworks displayed in the stand as if for sale. Presentation will be decorated as a roadside stand with surrounding walls that can be adorned with several original 50” x 50” drawings that “act” as if advertising for the fireworks that are “for sale” in the stand. Two limited edition (25 each) hand-pulled silkscreen prints can be made available for sale in the gift shop of the venue.
Statement about this series from the artist
My work explores the nature of learning and discovery, emphasizing how curiosity, risk, and play are essential to understanding the world. I believe that meaningful learning often happens in moments where caution meets courage—where mistakes and surprises aren’t failures but important steps toward insight.
Humor plays a vital role in my practice. I use playful, mischievous details to invite viewers to engage with my work in a lighthearted way, even as it touches on serious themes like control, chaos, and the limits of safety. I find that humor opens a space for wonder and openness, reminding us that learning isn’t just a serious pursuit but also an imaginative and enjoyable process.
By blending precision with absurdity, and order with unpredictability, I aim to celebrate the joyful tension that comes with discovery. For me, the most profound learning happens when we allow ourselves to be curious, to question, and to laugh at the unexpected - embracing the messy, unpredictable nature of growth. My pieces are invitations to reconnect with that playful spirit of inquiry that fuels creativity and resilience throughout life.
